Autumn Magic — Framed Piece Frame:White the tawny centres

the tawny centres

Three red fox kits at the den entrance — one standing alert on a pine-cone-strewn slope

Drawing was the foundation on which all of Glen's painting rested

Glen mastered the painting of white-in-white — the same challenge he met in his Snowy Owl paintings and his polar bear work — through an understanding of the different whites that exist in nature

Autumn Magic — Framed Piece Frame:White the tawny centresA still beaver pond opens onto a horizon of wine coloured hills, framed by maples burning red and yellow against a slate sky. This piece sits a little apart in Glen's catalogue looser, more painterly, executed in coloured pencil rather than watercolour, the texture of the paper showing through every stroke. It is the kind of scene any Canadian who has paddled north in late September knows by heart. Glen worked from his own field sketches and